Collection hic et nunc – in progress – part 3

Skull study 40

After Jan van Eyck, The Arnolfini Portrait , ca. 1434 coupofgrace

Payung

Payung : Umbrella in Malay by @mumu_thestan 41×41, 19 frames, 20fps

Terminal

pixel experiments #tezos4tezos artist: @mumu_thestan 33 x 33 4 frames 24 fps

Quasar

Out of the pit of darkness, the brightest light shines. by @mumu_thestan 52 x 52, 7 frames, 12 fps

Snowflake meditation

A wintery version of my pixel meditations 41 x 41, 23 frames, 12 fps by @mumu_thestan

Living tunnel

10 sec gif loop 960 X 540 Acid Boy

The rainbow bug

10 sec gif loop Acid Boy

////

gif | 1080×1080 | 120 frames | makio135 Lionel Radisson

🇺🇦

GIF | 1080 x 1080 | 60 frames All proceeds redirected to support Ukrainians 🤍🇺🇦 makio135

THE NONSENSE GIF SHOW #24

… / @SV3ZR tz1Wp…HsMMq tz1WpVh5r9gjfu9vDCcuB7zb7HE3pE7HsMMq

THE NONSENSE GIF SHOW #25

… / @SV3ZR tz1Wp…HsMMq tz1WpVh5r9gjfu9vDCcuB7zb7HE3pE7HsMMq

#hic-ath-on

entry for the themed challenge “Random Encounters”. 5min / 1024x1024px / 2021 raider

HENpnosis

Mesmerized by this community. Long live HEN. @just_p01nt

pixels n.05

nzfs

loading nft…

[xxxx..27%…..] tz1KwG9Dcp6wwTdetP9T1STqpnBLXng4rmzP

Autopista II

Animated GIF by @tiegenhof_ – 1000 x 1000 px – 10 MB – 2022

I.4.I. Protocore

𝙿𝚛𝚘𝚝𝚘𝚝𝚢𝚙𝚎 𝚘𝚏 𝙱𝚒𝚝’𝚜 𝚋𝚒𝚛𝚝𝚑𝚙𝚕𝚊𝚌𝚎. 𝙲𝚘𝚗𝚜𝚝𝚛𝚞𝚌𝚝𝚎𝚍 𝚋𝚢 𝚞𝚗𝚔𝚗𝚘𝚠𝚗 𝚌𝚘𝚛𝚙𝚘𝚛𝚊𝚝𝚒𝚘𝚗, 𝚕𝚊𝚝𝚎𝚛 𝚋𝚘𝚞𝚐𝚑𝚝 𝚊𝚗𝚍 𝚑𝚎𝚊𝚟𝚒𝚕𝚢 𝚞𝚙𝚐𝚛𝚊𝚍𝚎𝚍 𝚋𝚢 𝙰-𝚜𝚢𝚜𝚝𝚎𝚖𝚜. Artist: Guandanarian (@guandanarian) Medium: GIF, 256×256 pixels (3x upscaled), 120 frames, 50 fps Creation date: January 19th, 2022

Cross-Module Acronym Server

𝙾𝚗𝚎-𝚘𝚏-𝚊-𝚔𝚒𝚗𝚍 𝚊𝚌𝚛𝚘𝚗𝚢𝚖-𝚝𝚘-𝚑𝚎𝚡 𝚝𝚛𝚊𝚗𝚜𝚕𝚊𝚝𝚒𝚘𝚗 𝚜𝚎𝚛𝚟𝚎𝚛 𝚙𝚛𝚘𝚟𝚒𝚍𝚎𝚍 𝚋𝚢 𝙰-𝚜𝚢𝚜𝚝𝚎𝚖𝚜. 𝙳𝚞𝚎 𝚝𝚘 𝚒𝚝𝚜 𝚍𝚒𝚜𝚝𝚒𝚗𝚌𝚝𝚒𝚟𝚎 𝚜𝚑𝚊𝚙𝚎, 𝙱𝚒𝚝 𝚍𝚎𝚌𝚘𝚛𝚊𝚝𝚎𝚜 𝚒𝚝 𝚎𝚟𝚎𝚛𝚢 𝚢𝚎𝚊𝚛. Guandanarian

P.E.A.C.E.

𝚂𝚊𝚢 𝚗𝚘 𝚝𝚘 𝚠𝚊𝚛 Artist: Guandanarian (@guandanarian) Medium: GIF, 256×256 pixels (3x upscaled), 240 frames, 50 fps Creation date: March 7th, 2022

Romeo Golf Bravo

𝚃𝚑𝚎 𝚋𝚒𝚛𝚝𝚑 𝚘𝚏 𝚙𝚒𝚡𝚎𝚕𝚜 Guandanarian

HEN PARTY

… it’s always a party on hiccup artist: @mumu_thestan

“Kinder Bit” – At Rest Series 017

OBJKT4OBJKT tz1hGcj8PXkzayPTh6z5KNfyMm4rH5WBeHae

las gracias que dan vueltas

Expressing gratitude is part of one’s growing process. The people that I come across leave a little trace of their lives in mine, and my life is the result of all those interactions. I choose to learn something from all of them and express gratitude for that. Gratitude changes lives. At least for that split second that you let gratitude permeate you, both as a giver and as a receiver. I have much to be grateful for in my life, to everyone who supported me, challenged me, fought me, loved me, cared for me, gave me a smile, a hug. This is a thank you note to everyone at Proof of People 2022 @ London & all that happened during that week. Met new & old friends, got inspired, felt blessed and loved. Got smiled at, hugged. Thank you all. During Proof of People there was a brief debate around the exchange of value, of transcending monetary value. Gratitude is a huge value exchange. This token is free and would hopefully remain free forever, as an experiment of value exchange without monetary value. The artwork has a limit per wallet to make it more widely available, but not limited to 1 as you may want to grab more than one to send it to other people as an extension of your gratitude. If it ever generates royalties these will be sent to the Processing Foundation. But consider not attaching an economic value to this. Consider just having it or passing it on as a thank you note for whatever you feel grateful for in your life. These are gratitudes that just keep circling around. Las gracias que dan vueltas. Artwork by Marcelo Soria-Rodríguez, 2022-07. p5js, 512x512px gif.

Swap it

Animated GIF by @tiegenhof_ – 2022 – 1400 x 1400 pixels – 40 frames – 17 MB

propagare I

Series of 3 animations “porpagare” – Animated GIF by @tiegenhof_ – 1000px x 1000px – 240 frames – 1 MB – 2022 Contribution for #tezos4tezos

gl(oo)ve. luluxxx

str(ii)ps #14.

kn(oo)b. luluxxx

turn me on. you know how much you need 🙂

m(aa)rche. luluxxx

my contribution to #HEN500K. congrats to everyone.

fl(aa)sh. luluxxx

p(ii)tch #99. walk with me now.

d(oo)pe. luluxxx

a stormy day.

f(oa)m. luluxxx

p(aa)tch #19. we were the first to ever burst into the turbulent sea.

yel(ii). luluxxx

self portrait by Yeli @theYRDGZ . revisited.

t(u)na . luluxxx

my contribution to the #TunaTime event. using crayon and a summer prompt.

str(aa)nger. luluxxx

don’t be.

Golden Dreams.

3024 × 4032 michellethompson.tez

Silver Screen.

My first animated collage/gif, 2020. michellethompson.tez

bl(oo)w. luluxxx

p(ii)tch #83 . tonight i’m minting blindly. wish me good luck. what is an index anyway ?

equ(ili)bre.luluxxx

moving on or standing still ?

ki(ss). luluxxx

“luluzinhaaaa” she said. “aunie attack” i thought. morning tornado. footage by @auniseiva

p(oo)mme. luluxxx

p(aa)tch #7. you travel. you experiment. and you dream. or maybe the other way around. for #HEN200 i put an apple on my head. why not. but it looks like a potato now. a metaverse potato maybe. i dunno.

sw(ii)ng. luluxxx

she blows on the ink and the letters fly away like dandelions on a windy day, landing on hands and lips, on hearts and hips. luluxxx

u(up)p. luluxxx

p(aa)tch #4 . ups and downs. pumps and dumps. luluxxx mimetype: image/gif

ja(ja). luluxxx

p(ii)tch #82. i love your jaja. @auniseiva . luluxxx mimetype: image/gif

b(ee)g. luluxxx

str(ii)ps #5. sometime you have to. luluxxx mimetype: image/png

cr(yy). luluxxx

It’s the sound of my tears fallin’ Or is it the rain? You don’t know how to play the game You cheat You lie You make me wanna cry

Menilmontant #4. luluxxx

an ongoing experimentation with footage from Dmitri Kirsanoff’s Ménilmontant (1926) starring his wife Nadia Sibirskaïa. I’m using ‘artificial intelligence’ technology to transform early cinema footage. Motion and shapes are extracted from the original pictures and feed different ‘neural networks’ to generate abstract visualizations. I like to imagine this new vision embeds the imperfections and nostalgia while bringing a different emotional state to the viewer. (style transfer – layered style warping. open source + custom code)’- luluxxx 2015-2021

Menilmontant #3. luluxxx

Menilmontant #1

gr(aa)nny. luluxxx

my second contribution to #girlsgang second edition. (early results from https://www.luluixixix.com/portr-aa)

Pupila Dilatada Flyer

PSYCHEDELIC CRYPTOART SHOW MARCH 25 2021 kosha

[ᴍɪꜱꜱɪɴɢ ᴄᴏʀᴇ]

[𝚖𝚒𝚜𝚜𝚒𝚗𝚐 𝚘𝚛𝚍𝚎𝚛] Artist: Guandanarian (@guandanarian) Medium: PNG, 256×256 pixels (3x upscaled), 0 frames, [N/A] fps Creation date: July 22nd, 2022

Big Mother 🕷️

Akashic record #5 orgaZm

11 29 09 / 12 13 21 BLUE CLOUDS OF LATE NOVEMBER NFT- 001 RD/GEB

A collaborative piece between Roman Drits and Gary Edward Blum. JPEG / 6284 x 3999PX / 300 DPI

FUCK FUCK FUCK FUCK FUCK FUCK [2010]

https://maxcapacity.tumblr.com/post/847924056/fuck-fuck-fuck-fuck-fuck-fuck-by-max-capacity

Desktop Punk 8

desktoppunks.tez

DOS Punk X

This is the prototype for the DOS Punks. It was an accident while I was making a DEATH PUNK for the DEATH PUNK collective, which gave me the inspiration for the DOS Punks collection maxcapacity.tez

OH LOOK, ANOTHER FUCKIN’ PUNK

dorkholm.tez

Desktop Punk 9

Number 9 Desktop Punk desktoppunks.tez

Tres Punk #HEN500k

In celebration of 500,000 objkts minted on H=N ! Happy #HEN500k ! Hand trashed derivatives of dos punk X. Inspired by, but not affiliated with dos punks/max capacity/larva labs trespunks.tez

HELL

2048 × 2048px zurg

oldmoney

burn the rich desultor

Retro Glow

Special piece for #OBJKT4OBJKT. Like playing video games at an 80s arcade. painted on Sawyer Croft body paint and photography by Roustan (bodypainter.com)

common parasites

collage by Little Shiva

untitled 2019/2021 (faulty inkjet print collapsed)

objkt #13277 remix experiment, as a gradual gif collapsing via photoshop, gif pixillation and banding. | In celebration of 100 days of H=N (and 13277 was my first) | Secondary royalties: 20%. Half to an environmental charity of my choosing. stu

untitled alignment test cyan magenta black #1, 2020

Faulty injket printer output, modified – failing head alignment | Minted 62 – 60 + 2 ‘artist proofs’ | Secondary royalties: 10%. Half to an environmental charity of my choosing. stu

Raphaël de Courville

This artwork was donated by Raphaël de Courville (@sableRaph, hicetnunc.xyz/tz/tz1hfuVWgcJ89ZE75ut9Qroi3y7GFJL5Lf2K) to help raise money in solidarity with the protestors in Colombia. —> https://bit.ly/3h1Uk7J 100% of the proceeds will go to support front liners and protestors: https://bit.ly/3haO9i1

Fly Deep, Swim High

special digital artwork for the tez #tunatime event 4000×4000 px kato

ART COLORS FOR BRASIL

Title: ART COLORS FOR BRASIL Dimensions: 70 cm x 70 cm Technique: Digital Art Year: 2021 Artist: Felipe De Vicente © This is my contribution for the #oBRjkt Event

ART COLORS FOR PALESTINE

Dimensions: 70 cm x 70 cm Technique: Digital Art Year: 2021 This piece of art was kindly donated by Felipe De Vicente for the #objkts4palestine initiative. All proceeds go directly to The Palestine Children’s Relief Fund (https://www.pcrf.net/). Twitter:@felipevicente88 :: Hic et Nunc: https://www.hicetnunc.xyz/tz/tz1Z9JfxrmVB1vB4t5CNrkTgPWV5J6sRD3Ue :: Fundraiser Page: https://pcrf1.z2systems.com/objkts4palestine

ART COLORS FOR THE WORLD

Title: ART COLORS FOR THE WORLD Dimensions: 70 cm x 70 cm Technique: Digital Art Year: 2021 Artist: Felipe De Vicente © This is my donation for the HICATON Event.

Creatures

We came from nowhere, and now we are here. We are the Creatures, and nobody must kill us. Somebody just burned 700 of us. I escaped and used artificial intelligence to generate this text. Help us, humans! We are all to be avenged. Burners must be punished. We have to protect our people. And we need the help if we want peace. We must protect our people, so please help us. Please help us. Thank you all. We will be there soon. Thank You. Timmy Buggy

ART 0031

Title: ART 0031 Dimensions: 70 cm x 70 cm Technique: Digital Art Year: 2021 Artist: Felipe De Vicente © This artwork is part of the #OBJKT4OBJKT event.

hic et nunc Lightbox O4O Special

A special edition of my lightbox series minted for OBJKT4OBJKT. Artist: @georgemsavva

Rainbow 000

Generative Art by p5.js Gin(proto)

Rainbow 001

Generative Art by p5.js Gin(proto)

I saw pink #1

tz1h2hjU3Uw2mrhUCh3v37NnPmjUS3dgukiP

Nigiri

5600 x 5600 Illustration for the Tezos Tuna Event 2022 #TUNATIME Ballzerino

Swipe Up

834 x 870 gif – @tocame_munich

The Night

“The night awakened the fears that slumbered in the people; kept them awake. Them, that is, both their people and their fears. This has to be said clearly. It is a fairy tale that human is only a creature of light and day. Who can deny the pleasure of suppressing their fears and waiting for the morning, hoping that they will still reach the morning, that they lived it all along?” The Night Bilge Karasu arditty

SPRL

FLIP serie At the end of seminars, I collect the Flipchart papers that was used for the presentations and lectures. While preserving texts, figures and original diagrams made with markers, I then interfer with painting that holds both the spirit of the stencil characteristic of street art and the pixelation specific to digitalization. By confronting myself with the language of marketing, I superimpose, in black or in color, other markers from nature, the tragedies of the world and other old and recent illustrations. The painting, in dripping, comes to reinforce the paradoxical link between the initial support and the painted image. The coherence between the support and the painting creates another balance to the point of not being able to dissociate the “above” from the “below”. benoitpiret

Human Study #1 , HK, Scene 1′, Still

Human Study #1, Hong Kong series is based on a performance recorded during the solo show part of artunchained at Artistree in Taikoo place, produced and curated by Lisa Botos and sponsored by Swire. It was initially planned to be during Art Basel Hong Kong in 2020, but then COVID appeared and the show was moved to November 2020. Due to COVID restrictions the exhibition was not opened to the public, instead professional actors performed and a video work was generated and streamed in real time. This series features Ho Yan Lam Grace as the sitter. Human Study#1, 5RNP is an installation where the human becomes an actor. In a scene reminiscent of a life drawing class, the human takes the sitter’s role to be sketched by 3 robots. When the subject arrives by appointment, he is seated in an armchair. An assistant attaches sheets of paper onto the robots’ desks and wakes each one up, twisting its arm or knocking three times. The robots, stylised minimal artists, are only capable of drawing obsessively. Their bodies are old school desks on which the drawing paper is pinned. Their left arms, bolted on the table, are only able to draw. The robots, named RNP-n all look alike. Their eyes focus on the subject or look at the drawing in progress. The drawing sessions last 15 min, during which time the human cannot see the drawings in progress. The sitter only sees the robots alternating between observing and drawing, sometimes pausing. The sounds produced by each robot’s motors create an improvised soundtrack. 5RNP (the larger version of the installation) was premiered at the Merge festival in association with Tate Modern in London in 2012, it has since been exhibited in numerous locations including at the Museum of Modern and Contemporary Arts (Seoul) at Ars Electronica 2014 (Linz), BOZAR (Brussels), Variation (Paris), BIAN (Montreal), Japan Media Festival (Kyoto), Update_5 (Ghent) where it was awarded the Prix du Public and 3rd Prix du Jury, it was also awarded the Bronze Lumen Prize, part of the jury selection at the Japan media festival. The smaller version 3RNP has been extensively exhibited around the world. Technique I produce these works with a computational system I have been coding since 2009. It was Initially developed during my doctoral studies at Goldsmiths College in London when I investigated the drawing practice and how to enable a robot to draw from observation. It has since been in constant development. Since 2011 it is controlling the behaviour of the robots used in the performative art installations I exhibit. The initial work is the subject of several peer-reviewed research papers you can find via google scholar. In March 2021, at the beginning of hicetnunc, I wrote a new layer with a graphical interface over the system to be able to have control over a system that was originally designed to be autonomous. The new system enables the production of digital artworks (stills and animations), using generative algorithms with feedback loops, computer vision, and machine learning models (AI).. The way I work with the system is very similar to the way I was working when I was a painter (1990-2000). Bio Patrick Tresset is a Brussels-based artist who, in his work, explores human traits and the aspects of human experience. His work reflects recurrent ideas such as embodiment, passing time/time passing, childhood, conformism, obsessiveness, nervousness, the need for storytelling, and mark-making. He is best known for his performative installations using robotic agents as stylized actors that make marks and for his exploration of the drawing practice using computational systems and robots. Since 2011, his work has been exhibited in solo and group shows, including in association with major museums such as; The Pompidou Center (Paris), Prada Foundation (Milan), Tate Modern (London), V&A, MMCA (Seoul), The Grand Palais (Paris), BOZAR (Brussels), TAM (Beijing), Mcam (Shanghai), Mori Museum (Tokyo). In 2015 a monograph with seven essays; Human Traits and the Art of Creative Machines, about Patrick’s work was published by the Centre for Contemporary Art Laznia, edited by Ryszard W. Kluszczyńs. His drawings are in a large number of small private collections and in more significant ones, including the V&A (London), Guerlain Foundation (Paris), McaM (Shanghai) and Maison d’ailleurs (Yverdon, CH). His installations have been awarded prizes and distinctions (Lumens, Ars Electronica, NTAA, Japan Media festival) . His works have featured in numerous media, including; Art press, Art review, Beaux art, Frieze, Arte, Form, Wired, Vice, BBC, DeWelle, Le monde, New York Times. | Patrick Tresset | 2021 |PNG | 4096 x 2304 |

I ❤️ NFTism & Tezos by Kenny Schachter

I feel like I have found a new home; for so long I neglected to open Tez account as it was hard enough, at my age, to get my arms around crypto and ETH to begin with, having already changed my life as a result. Now, I’m fed up and bored to f*uking tears with the centralization of the NFT space with mergers such as KnownOrigin with Ebay (🙄) and worse, Artblocks with Pace Gallery (double eye roll). Grass is greener-ism, i.e., NFTist’s wanting art world credibility is laughable. I got depressed with the tendency of the ETH world aping the worst characteristics of the artworld: micro short attention spans for holding the art, endless speculative cash grabs and puerile lusting for price increases. And worst of all, the buying and selling of reputational celebratism based on the fame and popularity of the makers. As quickly as I was astounded by the phenomenon of NFTism—people helping people and caring about each other and focusing on content—it was even more swiftly replaced by Post NFTism: scams and profiteering. The Tez community; yes I will use that hackneyed term to characterize it, is just what I have been missing and searching for all along (OTHER THAN MY #CRYPTOMUTTS PEOPLE, who never cease to inspire me): art for art’s sake. Praise the crypto creationists (my definition of creationism: the non-religious belief that art originated with innately natural acts of humanity and creativity) kenny schachter

Faked another Fake

Celebrating Kenny Schachter’s arrival on Tezos with a carefully composited combination of his CC0 ‘Fake a fake’ and ABOSCH’s tribute of the same. A combination of: – https://objkt.com/asset/KT1G4hXpLhSqD6hPchkfjfWAM75Y8ghqGk4E/2 – https://objkt.com/asset/KT1RsdHLaMWrscQLJvCudRgSztRm6gvB1XUL/1 The Museum of Tezos ARTFKTS

1990

An overview of 1990 … NftBiker

🍂⭕🎃🧼🕊🗃🍆👾

randomly generated skeleton .gif by john karel. coding by objkt.com

Window Still Life 092

.gif by john karel

Window Still Life 097

.gif by john karel

🕳🍷🥩🍍⏰🥯💡🌾

randomly generated skeleton .gif by john karel. coding by objkt.com

🥚🌆🐦🌎🎾🐀💀🐅

randomly generated skeleton .gif by john karel. coding by objkt.com

👻👽💚🌊🌻🥨🌹🌝

randomly generated skeleton .gif by john karel. coding by objkt.com

Life is meaningless

(Pass it on) My contribution to celebrate HEN500k! Collage B-Sides

Secret black figure pottery #7

The first war on Christmas, Santa then disappeared for nearly 2000 years. PetiShaMiaou

Secret black figure pottery #5

A representation of the first Thanksgiving between the ancient Greeks and the Mayans. PetiShaMiaou

Secret black figure pottery #4

It was reported the goddess Hecate was offered the sacrifice of puppies. But it was probably anti-Greek propaganda (accusing your enemies to kill puppies, no seriously, how original). This painting proves that it was in fact an offering of mysterious coins picturing dogs. PetiShaMiaou

Secret black figure pottery #1

This painting from ancient Greece was hidden from the public and raise a lot of questions. PetiShaMiaou

Secret black figure pottery #11

Heracles using arrows dipped in the Hydra’s poisonous blood to kill the Stymphalian Birds. He previously tamed the Cretan Bull father of the Minotaur using it as a mount. This painting is the evidence that these mythical creatures could have just been actual animals that have existed in ancient times. PetiShaMiaou

Secret black figure pottery #12

Odysseus lost at sea. Took him ten years to come home after the Trojan War. It seems a violent storm with very strong winds took him a little off route. This painting shows him hunting weird deer on a remote island. PetiShaMiaou

♥ 𝖇𝖆𝖉 𝖇𝖆𝖉 𝖍𝖆𝖇𝖎𝖙𝖘 ♥

Here is my contribution to celebrate 100 days of Hic Et Nunc #100HEN / Tuba Girgic – Ig: @tubagirgic